Painting on a Snowy Day

Snow has been falling all day and all night. Fortunately, our commute to the studio is a shortcut through the barn and down a snowy path. Creativity calls!

The lumps are wood piles for the wood stove.

Inside the studio Larry is busy putting the final touches on our enameling kiln and I've been painting bright colours.

painting by Flora Doehler  8" x 8"   Please take your Seats.

This acrylic painting "Please take your seats" was inspired by the old chairs in our former studio. The Oakdene Centre was the community school for many years and still has some of the old furniture. I took many photos of chairs and their cast shadows when we worked there.

Shadows.

Inbetween working on some landscape painting (which I will show you when they are finished), and an entry to a local upcoming show here 'Pirates and Outcasts', I worked on this little piece. Step into the studio and take a look at the life inside our former garage.

Green Willow Studio is tucked down our long driveway. We are open by appointment or by chance.

Its actually a pretty good idea to be snowed in. We can get lost in our work and there is nowhere else to go.

An old cherry tree and the barn seen from the studio.

The snow keeps falling.

Painting Winter Fields

Charcoal sketch of field patterns.

It's absolutely gorgeous outside right now. There is a thick blanket of snow covering the fields, and the  hills. With all the leaves gone it is really easy to see through the trees to the hills on the other side of the river.  What I see is long stripes of trees that border fields, slashed diagonally by roads that wind their way down the hills.

Looking from the Annapolis side towards Riverview Road.

The colors now are so muted that it is a challenge for a color-loving painter like me to actually paint that scene in a monochromatic way.  in fact it would be easier for me to use brilliant colors to depict the snow scenes around me–but I want to try an abstracted approach using muted colors.

Acrylic on canvas.

I start with charcoal drawings to get a sense of the shapes in the distance.

Charcoal sketch of snow scene.

Larry is immersed in creating a pendant and is listening with me to a podcast from This American Life about the fictitiousness of money, starring the Federal Reserve.

I discovered, quite by accident, that if I put my paper on top of the hot wood stove, and draw on it with crayon that the wax melts instantly and leaves a very dramatic line.This must be what encaustic painters experience!

Melted crayon on paper and charcoal.

I chose for my palette:

• anthraquinone (blue )
• burnt sienna (rust)
• raw umber (brown)
• titanium white
• carbon black

These canvases are 16" x 16". I'm using fluid acrylics mixed with matt medium. This one was my favorite as far as the intensity of colour.

I rarely use burnt umber and I never use black. In fact I hardly ever use white either. So all of these choices amount to a complete departure for me. But I was determined to give it a try.

This was my favorite of the 3 canvases as far as paint texture goes.

I will work on them tomorrow with the objective to create a more harmonious look and feel to the 3 canvasses. Although I really like the intensity of the colour, it is more than I intended. But, a reduced colour seems to go against my very nature. I may try to mute things anyway. Stay tuned!

Canvases drying on my new cushioned mats. (I stand when I paint).

This is a good exercise to work on while winter is upon us!

The studio is like a giant playroom for Larry and me.